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In fact, some clever DSP tries to work out the song sections and loops for you when you import, although it struggled a little with more repetitive dance music. It would have been nice to also have the Imager module included to help match the width of your track to your chosen reference, but there is possibly a technical reason why iZotope hasn’t include this.Īnother useful new addition is internal referencing, where you can load up to 10 reference tracks, volume-match each via a gain slider and set multiple loop points. However, we tried remastering some old tracks using carefully selected references, and the results were surprisingly subtle and effective.Īt the very least, it gave us a starting point to tweak further and came up with some useful EQ suggestions we would never have tried ourselves.
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Ultimately, something as vital as mastering shouldn’t be taken lightly, and trusting software to do it for you isn’t really recommended. The especially clever part here is working out the Dynamic EQ settings last, as it looks at which frequencies are most likely to cause distortion when pushed into the Maximizer and applies a subtle dynamic EQ to control them, thus giving you some extra headroom to push into the final Limiter.
![izotope ozone 8 presets izotope ozone 8 presets](https://www.izotope.com/content/dam/izo/learn/author-pages/team-izotope-thumbnail-learn.jpg)
You then get a list running down each function as Ozone sets up a channel strip with an EQ, Dynamics module (if required), a Dynamic EQ, and finally, a Maximizer. You select whether you want to aim for Streaming or CD target volumes and choose from three intensities, or build a preset based on a reference audio file, and hit go. Arguably the most exciting new addition is the AI Mastering Assistant, which works in much the same way as the Track Assistant in Neutron. Right! Now we’re up to speed, let’s delve into the new features in Ozone 8. A lot of the modules across both Ozone and Neutron are multiband for added flexibility, and in Ozone, function in M/S mode. There’s also a Limiter, a unique spectral-shaping section, a Masking Meter that shows overlapping frequencies between instruments, and a ground-breaking AI Track Assistant that builds intelligent preset starting points for you.
![izotope ozone 8 presets izotope ozone 8 presets](https://d29rinwu2hi5i3.cloudfront.net/article_media/151b7128-c3a7-47c3-9a59-870cff844ae3/ozone.jpeg)
Neutron on the other hand, is more focused on mixing, with six modules (again, available as separates with the Advanced version), including a dynamic EQ, two Compressors, Exciter, Transient Shaper and a Gate. Other key features include an MP3 Codec Preview section, Dithering, and extensive metering throughout.
![izotope ozone 8 presets izotope ozone 8 presets](https://www.arsov.net/WP-Soundbytes/wordpress/wp-content/uploads/2013/05/Ozone-Preset.jpg)
To give a super-quick overview, though, Ozone comes both as a standalone program and as a plug-in, with a host of features aimed at mastering, and 11 modules (available as separate plug-ins in the Advanced version) including an Equalizer, Dynamics, Dynamic EQ, Imager, Exciter, Vintage EQ, Vintage Tape, Vintage Compressor, Vintage Limiter, Spectral Shaper and a Maximizer. So, here, we’ll focus more on what’s new. We’ve reviewed various versions of Ozone, and not all that long ago, the first version of Neutron. These latest versions see the two more intrinsically linked than ever, with inter-app communication, new shared plug-ins and a universal look for the GUIs. IZotope has been one of the companies at the forefront of cutting-edge user interaction and DSP over the last few years, and the potent Ozone/Neutron combo has become a flexible go-to tool for many composers, producers and engineers.
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